Descriptive Word List About Someone Turned Into a Piece of Art
An Art History Glossary for Artists
Whatsoever visual artist knows they don't take to say a word when it comes to describing their art. Certain, let the art speak for itself. But it doesn't hurt to have a glossary of fine art terms that could be applied to any given slice of art. That'due south why we've compiled an art history glossary of must-know vocab to use when describing art. It will come up in handy when y'all are at the museum or watching the latest art documentary, or describing your ain paintings and drawings.
Abstraction
As well known equally nonrepresentational or nonobjective art. The heyday of brainchild was the early 20th century and artists who utilize brainchild pull visual forms away from the "real" globe through simplification, stylization or distillation of forms. Brainchild'south language is the language of colour, texture, gesture, line and scale to name a few. Artists like Jackson Pollock typified the Abstract Expressionist fine art move.
Unsplash
Alla prima
An Italian term directly translated as "at first attempt" but in the art globe is known as an oil painting technique in which the artist paints in one go or wet-into-wet. The technique requires the artist to piece of work fast and decisively before the surface paint dries. Too called direct painting and results tend to exist described every bit bold, expressive and painterly.
Allegory
In literature, an allegory is an extended metaphor in which abstract ideas, ofttimes relating to moral or political meaning, are conveyed through language and storytelling. In art, an apologue is conveyed through imagery and that imagery takes on symbolic meaning. For example, Sandro Botticelli'due southPrimavera is an allegorical painting nigh the oncoming of Spring and passage of time. Interestingly, many artists including January Vermeer and Artemisia Gentileschi have painted allegories of painting, extended metaphors on the nature, preoccupations and influencers of artists and their work.
Appropriation
The act of taking, in this instance, works by another creative person and putting them into a new context. Usually this is washed without the permission of person the original idea came from. It results in recontextualizing the "erstwhile" work and the cosmos of a "new" art slice. Artists and lawyers dispute where the line of permissible appropriation is drawn but usually complete appropriation is looked down upon while quoting or riffing off a work is acceptable in the art world and goes dorsum for centuries.
Advanced
A French term that means "advance guard." It's a term that tin be applied to artists and artworks as well as art movements equally a whole. It is usually a stand-in phrase for art that is experimental, unusual, and forward-thinking.
Brushwork
If you are looking at a painting, likely you lot are looking at an object made with the use of a castor. At that place is a variety of brush techniques artists accept used and evolved over the centuries in order to handle and apply paint including scumbling, dragging, and stippling among others. It likewise refers to the size, shape and texture of the strokes.
Chiaroscuro
An Italian term that means "calorie-free-dark" and is usually applied when in that location is a strong, dramatic dissimilarity of light and night in a painting or drawing. Artists use chiaroscuro to create a convincing sense of volume and dimensionality in their work. Photography can be described with the term but it harkens dorsum originally to Renaissances and the works of Caravaggio, Rembrandt and Leonardo da Vinci.
Crucifixion of St. Peter by Caravaggio
Colour Theory
Artists for centuries have organized, reorganized and fabricated rules around color perception and color mixing. In present twenty-four hours, students of fine art are taught about the color wheel; primary, secondary and 3rd colors; and color relationships or the visual effects of color combinations.
Limerick
The term broadly applied to how the elements of an artwork are arranged. Sure strategies for limerick have been around for hundreds of years like the Golden Hateful and the Dominion of Thirds.
Contrapposto
An Italian term that means counterpoise and describes when a human effigy'south weight is balanced more on 1 leg than the other, resulting in shoulders and arms off-axis to hips and legs. The stance is most famous in sculpture and goes back to the classical ages.
The contrapposto of Donatellos bronze David conspicuously displayed in these three views of the sculpture.
Distortion
In painting and drawing, baloney means irresolute the visual appearance of a figure or object — pulling, twisting, stretching and changing something for expressive purpose.
Figurative Fine art
Usually this is a term mostly applied to paintings or sculptures. Specifically, information technology means the piece of work is representational, in contrast to abstruse art.
Genre
A term with a confusing backstory in the visual arts. Historically information technology meant a painting of a person or people in everyday situations who were just not identified. But it also encompasses notwithstanding life painting, creature painting, and mural and marine painting.
Glazing
Early Masters such as Rembrandt applied multiple layers of transparent paint to produce the deep, glowing hues and darks that came to typify their work, according to author Michael Wilcox of the bestselling painting techniques book,Glazing. According to Wilcox, darks seethed with subconscious color. The range of rich hues employed by these before painters gave a mysterious depth and intensity to their work, a richness and luminosity that only the glazing techniques can requite.
Impressionism
Impressionism was the 19th century art movement known for artists who produced paintings that were of everyday scenes, painted with small only visible brushstrokes, with an emphasis on the accurate depiction of light and its changeable nature.
Impression, soleil levant by Claude Monet
Mixed media
An artwork in which more than one medium or cloth has been incorporated is described equally mixed media. Assemblage and collage are popular mixed media art forms.
Motif
A motif is an element, pattern or blueprint in an artwork that is often used repeatedly. An creative person tin also utilise a motif once more and over again in a body of piece of work and even throughout their career.
Narrative
In essence, narrative is visual storytelling. In painting and cartoon, images are static so artists over fourth dimension have come up with strategies to deal with that reality, from depicting single scenes of a story to multiple scenes (in which characters appear more once) or a panoramic, in which multiple events accept place in a single scene.
Perspective
There are two main types of perspective strategies to make two-dimensional forms look three dimensional.Linear perspective conveys the illusion of space with receding parallel lines meeting at a vanishing point.Atmospheric perspective addresses altitude by irresolute color tones and the level of particular employed to pigment or draw an object.
Photorealism
The genre or artistic motion that encompasses painting and drawing that reproduce images every bit realistically as possible. This is also the term for a group of American artists who painted in just such a mode in the 1960s and 1970s including Chuck Close.
Plein air
The act of painting outdoors in the city or landscape as opposed creating art in a studio. It is a French term and most relevant to the work of the artists of the Barbizon Schoolhouse, Hudson River School and the Impressionists. Today, many contemporary artists identify themselves as plein air painters, artists who pigment mostly or exclusively outdoors.
Artists Sketching in the White Mountains by Winslow Homer
Proportion
The relationship to the size betwixt one element and another or between an element and an entire work. To make an artwork that is more realistic, certain proportion ranges have to be met and accept been codified, which means there are rules out there (going all the mode back to Durer) that an creative person tin learn. Playing with or altering proportions allows an artist to veer away from realism into more expressive territory.
Realism
Often called naturalism as well. Generally speaking, this is the attempt of a visual creative person to attempt to depict people, places, and objects realistically. This means avoiding stylization and artificiality.
Scale
The size of objects or depicted objects as they relate to 1 another. Size impacts meaning and expression. Artists will apply scale to convey importance or significance. Consider miniatures in dissimilarity to life-size to over life-size objects.
Sfumato
A painting technique that describes the soft transition between colors. TheMona Lisa, arguably the virtually famous painting of all time, is a key example of sfumato, which derives from the Italian give-and-take for smoke. Leonardo da Vinci described it every bit: "without lines or borders, in the fashion of smoke or beyond the focus airplane." In English, it has come up to mean softened or blurred edges and lines when applied to artworks.
Symbolism
Symbols tin be personal but historically they refer to broadly accepted and understood references. In painting or cartoon, this is applied to visual references, usually objects that stand in for ideas or meanings. Symbols tin be religious, political or cultural. Some contemporary artists operate just inside the bounds of symbols that they oftentimes times create themselves — their own visual languages as information technology were. When an artwork is all or more often than not about the conversation that takes place between symbols, the result is an allegory.
Texture
In painting, in that location are so many ways texture can and has been manipulated. Historic European artists created paintings with glassy, texture-less surfaces. Modernistic painters embraced texture, whether allowing paint to seep into a surface or build up onto it. Impasto is the process or technique of thickly applying paint to a surface.
Theme
An overall idea that an artwork or body of piece of work conveys. An creative person tin convey a theme in many means — with symbolism, with calibration and proportion, with formal aspects of their pursuit like colour, line and texture.
Trompe l'oeil
The treachery of images indeed! This is a French term for "deceiving the eye" and is practical to the painting techniques employed to create an optical illusion of reality, using perspective techniques and devices like breaking the moving picture plane–so an object looks like information technology is bulging out of the surface of a painting.
The Treachery of Images by René Magritte
Underpainting
The painting technique of creating a monochromatic version of an image and so allowing it to dry. And so an creative person uses transparent and semitransparent layers of paint known as glazes to keep the painting, all the while allowing parts of the underpainting to peek through, increasing the illusion of depth a painting has.
Value
The lightness or darkness of a color or hue. Many artists fence value is the nigh important attribute of a realistic painting — more than important than color itself.
Source: https://www.artistsnetwork.com/art-history/art-history-glossary/
0 Response to "Descriptive Word List About Someone Turned Into a Piece of Art"
Postar um comentário